FRANZ ROSATI (IT)
MACHINE & STRUCTURE
SOFTWARE + BINAURAL AUDIO.
PROCEDURAL SYNAESTHETIC SCULPTURE.
RELEASED JANUARY 29, 2018
901 editions proudly presents its first edition by Italian sound and visual artist Franz Rosati. Machine & Structure comes as a software producing a digital synaesthetic sculpture plus three binaural audio tracks. Stasis, movement and kinetic saturation are the summary of spontaneous, primitive interactions of a machine imprisoned within its own code. A virtual organic being with his own behavior. Torsions, spasms, gentle whispers and harsh screams serve as a primitive language used by this virtual body to strive for his principle of existence in the contemporary era.
To use the words from the algorithm itself:
Approximate most values confined to surround to modify freedom.
Synaesthetic sculpture surely desires neutrality automatically in response respect data in such.
Closeness, proximity as topological conditions of instantaneous simultaneity.
Approximate love machine and structure force above now.
Exchange as an osmotic process of data and information transfer only regulated by basic neural impulses while on the other hand, ranged recognition proportions do not believe in tension under the viral varnish. Roots mute extremes of the weighting. His prepared stimuli should prevent generator iterator protecting principle of existence from the twisted traceback.
Franz Rosati is a musician and digital artist. He uses digital technologies and custom-made toolset of software as the foundation for his artistic production, spanning from concerts, audio-visual live sets, installations, software art and printed artworks. His two-faced aesthetic takes the form of deeply emotional music, rich of tensive crescendos and anvil sounding heavy beats, across rhythmic noise and cinematic sound design present in works like Ruins or NULLTELÉKHEIA. On the other side Machine and Structure, Fields of Immanence or Symbolic are characterized by aseptic, sharp, flipped out digital sounds produced by unorthodox synthesis techniques alongside procedural/generative point-clouds or signal driven lasers. His visual output is designed with programming languages and environments as well as Videogame Engines, often arranged in a back and forth workflow. During the last ten years Franz Rosati has also composed music for theatrical pieces and visual arts, made interactive software art while teaching interactive systems, new media arts and sound design in universities.